Having read the deplorably cheezy tagline: It will scare you out of your skull. and being a SyFy original, my expectations for The Bone Snatcher were quite low. I was pleasantly surprised.
Directed by Jason Wulfsohn, written by Malcolm Kohll and Gordon Render and starring Warrick Grier and a bunch of people I had never seen nor heard of, The Bone Snatcher follows the exploits of a talented but mousey systems analyst, Dr. Zach Straker (Scott Bairstow) who is tasked with moving from Canada to the South African Namib Desert to aid a geological survey team after several members of their crew go missing. There he meets the imposing and steely Karl (Warrick Grier), the beautiful and headstrong, Mikki (Rachel Shelley), the superstitious and perpetually ponderous Titus (Patrick Shai), a mouthy driver and a guy who is apparently only in the film to be the first on-screen person to be bonesntached. Once Karl discovers the corpses of his colleagues he is enraged and vows to find their killers. It soon becomes apparent that what killed them is not human when Karl spies a hideous being stalking through the desert. He shoots it and it vanishes, as if into the very air. Shortly, the creature begins picking off the team one by one, forcing Straker, Mikki, Karl and Titus to put aside their differences and formulate a plan to kill it before it steals their bones…
Impressions & Overview
Though critically panned (it used to be the hip thing for the movie literati to bash Scifi original movies, regardless of their content or quality) I found The Bone Snatcher to be quite enjoyable and far more substantive than I thought it would be. One of the benefits of any survival horror movie is the raising of the question: What would you do in such a situation? Would you act as the meek and attemptedly calculating Straker? The even-keel Mikki? The doomsaying Titus? The by-the-book driver Magda? Or would you strike out for revenge like Karl? Furthermore, the scenery is often quite breathtaking (the film was shot in Cape Town and the deserts of Namibia. Though the film is never scary (which it should have been since it billed itself as a “horror” film) it is very atmospheric and tense with a decent soundtrack and some moments of surprisingly good acting (especially from Warrick Grier who I hope, in the future, to see receiving considerably more starring roles).
The Acting, Characters & Dialogue
The acting is uniformly solid. One of the main problems that some viewers may run into, however, is the strong Afrikaans accents, which may warrant the utilization of subtitles (especially in the introduction to the main geological team members, there was so much mumbling and accent it was like they were speaking a completely different language).
The protagonist of the film, Straker, is boring and tepid and does almost nothing of importance throughout the entire film, yet, it is these very qualities that make him believable and help markedly to ground the fantastical elements of the film, namely the bone-snatching creature itself, in reality. Early on in the film after the first attack by the creature, Straker losses his cool, he’s almost perpetually terrified throughout, even as he tries to focus and craft a logical plan of action.
The standout of the entire film, for me, was Warrick Grier as the hotblooded and fearsome team leader, Karl. He, together with Straker, have the best moment in the entire film when Karl erupts, “There are no bears in Africa!” and Straker responds, “I know that, Kaaaaarl!” It would be impossible to replicate the tone of the scene so I suggest you watch the film for the full effect, it had me rolling with laughter.
The central theme of the film is teamwork, as none of the members of the crew being stalked by the bone snatcher seem able to agree upon anything, later, after one of them is killed there is a sequence whereupon various characters keep drawing guns upon each other and shouting about how so-and-so is going too far or losing it. All of the characters who bicker and refuse to work in tandem end up dead which I read as the scriptwriters declaring, “If you behaved this aberrantly when a giant bug-bone monster was trying to kill you, you’d end up dead. Form up, or fall down.” And they’re right.
Being a creature-feature, we would be remiss if we did not specifically remark upon the titular Bone Snatcher itself. The ant-bone amalgamation is, whilst in no-wise scary (at least it wasn’t to me) a fantastic looking creation (and yes, the “creature” is just a bunch of ants, if you hadn’t guessed from the promo poster for the film, which, though cool, is rather too plot-revealing!). Some of the shots of The Snatcher itself are not CGI but rather a man in a suit (Brian Claxton Payne) and these, in my opinion, are the best in the film (the CGI in the film was very uncanny valley and at times looked like stop-motion which was distracting). The reveal that the creature was an amalgam of prehistoric killer ants was obvious but inventive. What I kept wondering, however, was, how were the ants aided by forming a humanoid mass? Straker says they do it for “survival” but how, precisely? We never really find out and that’s disappointing.
If you enjoy survival horror action films like Pitch Black (which TBS strongly reminded me of) that are more concerned with atmosphere and character than they are with guts, gore or superfluous jump scares, you might well enjoy The Bone Snatcher.