W E E K L Y   P H I L O S O P H Y


ARTICLES

Historian and philosopher Richard Carrier has penned a fascinating article – Could Be A 38% Chance We Are The Only Civilization In The Known Universe – discussing a paper on the possibility of presently existing, otherworldly civilizations, that is EM-radiating societies. Carrier’s principal point of reference is Dissolving The Fermi Paradox by Anders Sandberg, Eric Drexler and Toby Ord of the Future of Humanity Institute, Oxford University. One of the more interesting ideas expounded upon by Carrier is that “maybe civilizations all reach a point when they don’t radiate [signals which are perceptible by instrumentation].” Quite a bit of background in the Drake Equation, the Fermi Paradox and the monograph of Sandberg et al. is required, but for those who take a interest in the extraterrestrial, it is worth combing through the necessary back-catalogue.

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The Drake Paradox is a argument based upon probabilities which seeks – through their utilization – to determine the number of “active” extraterrestrial civilizations within the Milky Way galaxy. The Drake Paradox was formulated by the American astronomer & astrophysicist, Dr. Frank D. Drake.

BOOKS

I have recently finished reading David Peak’s The Spectacle Of The Void (Schism Press, 2014), which, though brisk and, perhaps a little underdeveloped, was a truly fantastic text. The beautifully covered 96 page book principally concerns the inter-relational development of philosophy and horror fiction and why certain forms of fiction “work” in the domain of the macabre, unsettling or terrifying. Through the application of Nietzsche, Bergson, Brassier, Meillassoux, Kristeva and others, Peak examines, sometimes briskly, sometimes in detail, a procession of horror creators such as Dante, Brian Evenson, Roman Polanski, H.P. Lovecraft, John Carpenter, Laird Barron, Georges Bataille and many more. I was pleased to see the film Martyrs (one of the most unnerving films of the 2000s) receiving a sizable and fascinating exegesis in the tome.

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“Reality is not what it used to be – this has never not been true.” —David Peak

The general thesis is that the trend in horror has been away from the particular and towards the all-encompassing, from known threats to the unknown. From being-thought-of-as-such to being-without-thought; to encapsulate and instantiate this uncovered progression in horror lit, Peak advances the notion of “the horror reality” (as typified in Martyrs or In The Mouth of Madness) as the new paradigm. It is no longer the masked killer one most fears, or even planetary extinction, it is knowledge itself. Some truths, as they say, are best kept secret. The Spectacle Of The Void is more descriptive than proscriptive and ends without really coming down upon whether the reification of this “horror reality” is bad or seemingly paradoxically, good; that being said, its potency (and utility for writers) lies in its ability to explain why and how a piece of fiction achieved its effect and thus, how one can also do the same. Highly recommended and the best of the week.


VIDEO/AUDIO

Having seemingly shed the rebarbative snake-skin of Randian Objectivism, Alex Epstein continuously impresses me in his on-going discourses upon energy (a subject which has been covered before in-depth on this website) and human-centered thinking. Ever since the 70s, various different “green” or “environmental” movements have sprung up, one of the most profligate (and often implicit, rather than explicit) today is the notion of deep ecology, the idea of the total equalitarian nature of all life on the planet seems to permeate in every single widespread discussion, almost regardless of the initial topic of the discussion itself.

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As a consequence, the centrality of energy infrastructure to civilizational integrity has fallen by the wayside in popular discourse; worse still is the fact that the environment without-us is increasingly becoming the paradigm (which is, I have argued before, intrinsically suicidal), thus, it is extremely refreshing to hear Epstein attempt to reframe the entire discussion in terms of what is good for us, rather than what is good for some nebulous conception such as “mother nature” (blatant anthromorphism) or “the environment” (which is just muddy, as it says nothing about particular ecosystems or indeed, arcosystems). The video below showcases many of Epstein’s central arguments concerning energy and anthropocentrism and was filmed at the 2018 Energy Disruptors conference. Long, but well worth it.

 

“Energy is the industry which powers every other industry.”

– Alex Epstein


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