Sex, Violence, Death, Toil: A Brief Primer on Fiction Writing, Prt.4

 

Art as a directional model for human action.

All human endeavors bespeak of ourselves; such is the case with fiction, which gives form and function to the nebulous, scattered and fevered energy of the brain’s wild imaginings which roil up from from the instinctual chasm. 

-Brief Primer on Fiction Writing, Part. 3

In the 1996 book Fight Club, Chuck Palahniuk, a socially satirical, psychological thriller, a socially alienated, weak and emasculated corporate drone meets a bedazzling political radical. The two men strike up a bizarre friendship and eventually create a underground fight club where they are able to release their pent-up frustrations about the decline of masculinity and the vacuous wage-slavery that is their lives, by viciously beating each other until one contestant concedes defeat. The book was highly popular, so much so that three years after its publication, a film of the same name was created by David Fincher, with a screenplay by Jim Uhls; it is this iteration of the tale that most people are familiar with.

Fight Club was and still is extremely popular, as much for the acting and aesthetics as well as for the pointed and clever social commentary – it is especially popular amongst socialist radicals (which is rather ironic given that one of the principal points of the film is that radical insurrection is all very well and good until lives start being ruined and people start dying) which can be seen by the creation of the self-styled “Leftist Fight Club” for the express purpose of “Bashing the fash.” The “fash” that they are referring to are the illusory fascists that such Antifaesque organizations seem to see everywhere. The club’s only condition for entry: Don’t be a republican – for as everyone knows, all republicans are fascists.

You might here be wondering why I’m bothering to mention this seemingly trivial, though curious, affair. I mention the Palahniuk inspired Leftist Fight Club because it is the perfect modernistic example of life imitating art which is the single most powerful thing any piece of art can conceivably do. It is, I think crucial to highlight such cases when looking through the analytical lens of political outside-dissent. For those that wish to shift any power structure will need to pervade not just in the military, the media and the legislation-complex but also in the arts. That being said we will dive into a manifold sampling of those past and present instances where some work(s) have powerfully influenced the directionality of human action – Leftist Fight Club was just the tip of the iceberg.

[continued part 5]

 

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